C.F. Martin
Guitars Made for Oliver Ditson & Co.

Martins made Ditson
1921 Style 11 #565, 1916 Style 22 #160, and 1920 Style 33 #557.
Martin's "Ditson Model" guitars, with their wide waisted body
shapes reminiscent of early European guitars, were made expressly
for the Ditson Stores and came in three sizes, Standard, Concert,
and Extra Large.
The Standard Model has a width at the lower bout of 11 1/8"
The Concert Model has
a width at the lower bout of 12
3/4"
The Extra Large Model
has a width at the lower bout of 15
5/8"
The Extra Large
model, requested by Harry Hunt of the Ditson Company, and designed
with the help of Martin shop foreman John Deichmann, became known
as "the Dreadnaught", and was the first Dreadnaught guitar
ever made.
The Ditson Models had their own model designations, and unlike
other Martins, their trim level was designated as 1, 2, or 3, but
their size was designated by the number of digits,
i.e. 1, 11 or 111.
All of these regular Ditson Models were made with a spruce top and
mahogany back and sides.
Some Ditson Model guitars have either lighter orange tinted tops
or dark stained tops. In some years the stained top was an
option.
While fan bracing is generally associated with lighter guitars
made for gut or nylon strings, the Ditson models have the same
style of fan bracing as seen on the koa wood guitars made for the
Southern California Music Company, which were originally made to
be played with heavier steel strings in the Hawaiian style.

The "Standard" size Ditson Model 1-21, "Concert" size Ditson
Model 11, and "Extra Large" (Dreadnaught) size Ditson Model 111.
The Models 1, 11 and 111
have dark binding on front, none on the back.
The Models 2, 22 and 222 have white binding front and back.
The earlier Ditson models had bridges
supplied
by Lyon & Healy of Chicago with raised flat topped squares on
the wings rather than the pyramids typical of many of the
better vintage Martins.
The 3 and 33 were fancier models which changed a bit through the
years. These had pearl inlaid bridges supplied by Lyon &
Healy, and the earliest examples had fancy fingerboard inlays.
The extra large 333 was cataloged, but none seem to have been
made.
Early Ditson Model 2 #144 and Model 22 #160, both from December, 1916

Early Ditson Model 22 #160 from December, 1916 with
white binding, standard tinted top and Chicago style bridge, and one
from the very last batch of small Martin "Ditson Model" guitars, a Model
11, #565 from January, 1921 with dark binding on top only, optional dark
tinted top and standard Martin pyramid bridge. The Model 111 was
revived in 1923, and 19 more were made between then and 1930, with
standard Martin X bracing replacing the earlier fan bracing.
Ditson also sold guitars which combined the trim levels of regular
Martin Styles with the same small, narrow body shape of the
Ditson "Standard" size, an example of which is the Style 1-21 shown
here. The 1-21 has standard Martin Style 21 trim,
including herringbone design marquetry in the rosette around
the soundhole and in the center strip on the back. Besides the
1-21, this Ditson size was also available as Ditson Models 1-18,
1-28, 1-30, 1-42, and 1-45.

Ditson Model 1-21 #433 from July, 1919 and Model 11 #565 from
January, 1921
Ditson was a large music retailer with
stores in New York and Boston (and earlier in Philadelphia), and was
one of Martin's largest customers, selling guitars
and other instruments, including many mandolins.
Besides the "Ditson Model" Martins, a large number of regular
Martin models, stamped with the C. F. Martin name only,
were sold by Ditson.
A number of the regular Martin models were also sold by
Ditson with the Ditson stamp on the back of the headstock and/or on
the inside center strip. And many other models,
such as the Empire, were
made
by other manufacturers for Ditson. So finding an instrument
with the Ditson stamp does not necessarily mean you've found a
"Ditson Model" Martin, or even an instrument that was made by Martin
at all.
1916 Ditson Model 22 with Oliver Ditson stamps.
During the boom years of the Hawaiian craze, as Martin was struggling
to keep up with demand, Martin purchased "Chicago Style"
bridges supplied by Lyon & Healy, which were used on the
Ditson models.
Ditson Standard Model Dimensions:
Width
at the upper bout, 8
7/16"
Width at waist, 7 1/8"
Width at the lower bout,
11 1/8"
End to bridge, 4 9/16"
Bridge depth, 15/16"
Bridge to soundhole, 4 1/8"
Soundhole, 3 9/16"
Soundhole to 12th fret, 4 1/2"
Ditson Concert Model Dimensions:
Width
at the upper bout, 9 7/8"
Width at waist, 8 1/2"
Width
at the lower bout - 12
3/4"
End to bridge, 5 13/16"
Bridge depth, 15/16"
Bridge to soundhole, 4"
Soundhole, 3 9/16"
Soundhole to 12th fret, 4 9/16"
C.F. Martin 1916 Ditson Standard Model 1
Listed as "New Style 1".
Serial Number 118
Shipped 10/24/16


From the last batch of Ditson Style 1
guitars.
Serial Number 542
Shipped 6/8/20
C.F. Martin 1916 Ditson Standard Model 2
From the first batch of Ditson
"Dreadnaught" guitars.
This is the earliest Martin/Ditson and the earliest
"Dreadnaught" shaped guitar that we know of existing today.
This first batch of Ditsons, listed as Ditson "Standard"
guitars, was specified to be "like style 2 uke".
While the second batch of Ditsons, built a month later, were
listed as "Standard Style 2 guitars", this first batch was not
assigned with a Style number.
Serial Number 6
Shipped 3/28/16




C.F.
Martin 1920 Ditson Concert Model 11
The "Concert 1" was
the last of the Ditson Concert models to be
built.
This guitar is from the second batch, one
of only 30
Style 22 built.
Serial Number 565
Shipped 1/5/21






C.F. Martin 1916 Ditson Concert Model 22
The "Concert 2" was the last of the
Standard or Concert models to be built.
This guitar is from the second batch, one
of only 30 Style 22
built.
Serial Number 160
Shipped 12/30/16


C.F. Martin 1920 Ditson Concert Model 33
From the fourth and final batch, one
of 28 built.
Serial Number 557
Shipped 7/31/20







1919 Martin Ditson 3/4 Size Hawaiian
Model 1 "Dreadnaught" Guitar
In early 1919, the Ditson Stores ordered six Hawaiian Dreadnaught shape
guitars in a 3/4 size, with a short "terz" scale, a scale length used by
C.F. Martin Sr. on some of his earliest guitars.
The proportions of the 3/4 size Hawaiian is closer to the "Extra Large"
full size Dreadnaught.
Scale - 21 1/4"
Serial Number 13520

Ditson 3/4 Size
Width
at the upper bout, 8
1/4"
Width at waist, 7 3/8"
Width at the lower bout,
11"
End to bridge, 4 7/16"
Bridge depth, 7/8"
Bridge to soundhole, 3 11/16"
Soundhole, 3 1/8"
Soundhole to 12th fret, 3 11/16"
Total length, 15 3/4"
2 lbs, 0.4 oz.
Ditson "Standard" Model 1
Width
at the upper bout, 8
7/16"
Width at waist, 7 1/8"
Width at the lower bout,
11 1/8"
End to bridge, 4 9/16"
Bridge depth, 15/16"
Bridge to soundhole, 4 1/8"
Soundhole, 3 9/16"
Soundhole to 12th fret, 4 1/2"
Total length, 17 11/16"

1916 Martin Ditson Model 3 Mahogany Dreadnaught Ukulele
In 1916, the Ditson Stores, one of Martin's largest customers, ordered
the first Dreadnaught shaped guitars.
In the same year, Ditson also ordered ukuleles in all the various models
Martin offered, with a Dreadnaught shape as well.
The Model 3 is one of Martin's most beautiful model ukes, with inlays
and multiple stripes on the fretboard, and a design in Ivoroid on the
lower face. The earliest ukuleles had simple ebony tuning pegs and
an Ivoroid design on the headstock.
C.F. Martin 1918 000-42
In 1918, Martin made their first two Style 42 guitars in the relatively
new and larger 000 size. While one of the two was a rather
conventional Style 42 in the 000 size, this 000-42 was special ordered
by the Ditson Company in 1918 in the style of Ditson's new Dreadnaught
guitars, which were built for Hawaiian style playing with steel strings.
That makes this guitar a rare example of an extremely early 000
size Martin built for steel strings, as well as a rare example of a
Martin built for steel strings with an ivory pyramid style bridge.
As was true of the early Martin Dreadnaught, and all of Martin's
early Hawaiian steel string guitars built for both the Ditson Company
and The Southern California Music Company, this guitar was built with
fan braces. This guitar was also special ordered with a cloud
shaped pickguard inlaid into the top.
C.F. Martin 1924 Ditson "Extra Large" 111
The largest of the three sizes of guitars mad by Martin for the Ditson
Stores was first known as the "Extra Large"
This style was later took on the name "Dreadnaught" after the Extra
Large class of battleships, the spelling later becoming "Dreadnought"
with an "O".
Early Ditson 111 were fan braced. This Ditson 111 was the first to
be X-braced.
C.F. Martin/Ditson 1926 2-17
The Ditson Stores also sold many standard Martin models, but with the
Ditson stamp replacing the Martin stamp on the headstock and interior
center strip, such as on this model 2-17:
Click on this image to download a full size 1:1 diagram of my 1916
Ditson 2 #144.
earlymartin.com
To See Robert Corwin's Classic Photography of Folk and
Roots Musicians, visit:
For Information on
Photography for
Exhibition, Publication,
CD's, Promotion, Web Pages, Tour Books,
to Purchase Photographic
Prints, or
If You Have Questions
About An Early Martin Guitar:
e-mail: Robert
Corwin
entire site copyright ©1998
through 2017 Robert Corwin/Photo-Arts. All rights reserved.