1840's "Small DiGoni"
Hybrid X Braced Spanish Martin Guitar

While the
instrument made for Madame Di Goni is thought by some to be
Martin's first X braced guitar, this size 3 Martin, which fits the description
of a "Small DiGoni" has the same hybrid of X and fan bracing
with a number of Spanish influenced features that precede
those on the DiGoni guitar.
This guitar has the earliest form of French Jerome tuners with
bone rollers, plain plates without decoration, and the early
barrel shaped gears.
These earliest examples of this style of slotted headstock are
sometimes referred to as having extra wide slots.
In fact, all of the slotted heads have slots approximately
3?4" wide.
This is because all of the heads that
follow measure approximately 1" from the top of the slot to
the top of the head.
The earliest of these heads measure 3/4" from the top
of the slot to the top of the head. The slots are the
same, but the relative proportions give them an appearance of
being wider.

These early Spanish Martins have a beautifully elegant curve
to the heel.

This guitar has the tie style pyramid bridge with early wide
saddle.


While Martin often
mixed older features with newer ones, this guitar, an early
version of a Style 3-24, has an early tie style bridge rather
than a later pyramid pin bridge, an early elegantly curved
Spanish heel, aback strip of straight holly lines, an early
wide version of the slotted headstock with large bone rollers,
a rosette more reminiscent of a Martin & Coupa with tiny
dentils, rather than the more standard Style 21 herringbone,
and a broad full 2" wide neck width, along with a faux Spanish
foot, and an earlier rounded popsicle brace.

Shield shaped Spanish foot individual
widely spaced kerfing, and while this guitar has solid sides,
it is unusual in having the center reinforcement on the sides.

Hybrid DiGoni style braces and rosewood bridge plate.

Profile 13 in "Inventing the American Guitar: The Pre–Civil War
Innovations of C. F. Martin and His Contemporaries".
"

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